The following release information is from Sight and Sound.
Watched:
Agora (Alejandro Amenábar) 51/100
American The Bill Hicks Story (Matt Harlock, Paul Thomas) 68/100
Beeswax (Andrew Bujalski) 83/100
Four Lions (Christopher Morris) 78/100
The Girl on the Train (La fille du RER) (André Téchiné) 72/100
Lebanon (Samuel Maoz) 88/100
Room and a Half (Poltory komnaty ili sentimentalnoe puteshestvie na rodinu) (Andrey Khrzhanovskiy) 76/100
The Bad Lieutenant Port of Call: New Orleans (Werner Herzog) 93/100
The Brothers Bloom (Rian Johnson) 81/100
The Killer Inside Me (Michael Winterbottom) 66/100
The Time That Remains (Elia Suleiman) 69/100
Vincere (Marco Bellocchio) 73/100
Eager to Watch:
Will Watch:
Gentlemen Broncos (Jared Hess)
The Happiest Girl in the World (Cea mai fericita fata din lume) (Radu Jude)
Might Possibly Watch:
Cop Out (Kevin Smith)
Eyes Wide Open (Einaym Pkuhot) (Haim Tabakman)
Petropolis Aerial Perspectives on the Alberta Tar Sands (Peter Mettler)
Videocracy (Erik Gandini)
Have No Interest In Whatsoever:
The Back-up Plan (Alan Poul)
Black Death (Christopher Smith)
The Calling (Jan Dunn)
The Story of John Rabe City of War (Florian Gallenberger)
Clash of the Titans (Louis Leterrier)
Erasing David (David Bond)
Furry Vengeance (Roger Kumble)
Give Me Your Hand (Donne-moi la main) (Pascal-Alex Vincent)
Heartless (Philip Ridley)
Hot Tub Time Machine (Steve Pink)
It’s a Wonderful Afterlife (Gurinder Chadha)
The Joneses (Derrick Borte)
The Last Song (Julie Anne Robinson)
Nanny McPhee & the Big Bang (Susanna White)
Repo Men (Miguel Sapochnik)
Salvage (Lawrence Gough)
Shelter (Jonah Markowitz)
Tooth Fairy (Michael Lembeck)
Edits:
Moved The Bad Lieutenant Port of Call: New Orleans from Eager to Watch to Watched 22/5/10
Moved American: The Bill Hicks Story from Will Watch to Watched 25/5/10
Moved Agora from Eager to Watch to Watched 29/5/10
Moved The Brothers Bloom from Will Watch to Watched 30/5/10
Moved Beeswax from Will Watch to Watched 2/6/10
Moved The Killer Inside Me from Will Watch to Watched 20/8/10
Moved The Time That Remains from Eager to Watch to Watched 8/12/10
Wednesday, May 19, 2010
Sunday, May 2, 2010
Cinema Listings Dublin May 2010
* Denotes either a once-off showing, a festival or a reissue.
Blue means watched
Green means hoping to watch
Red means will not watch
Black means I'm on the fence
May 2010:
Regular Programming:
The Milk of Sorrow (IFI)
A Room and a Half (IFI, Lighthouse)
Four Lions (IFI, Cineworld, Lighthouse)
American: The Bill Hicks Story (IFI, Screen)
No Greater Love (Lighthouse)
Trafficked (Cineworld)
The Losers (Cineworld)
Lebanon (IFI, Screen)
Vincere (IFI, Lighthouse)
Bad Lieutenant: Port of Call New Orleans (IFI, Cineworld, Lighthouse, Screen)
The Happiest Girl In The World (IFI)
The Time That Remains (IFI)
Robin Hood (Cineworld)
Nightmare on Elm Street (Cineworld)
Hot Tub Machine (Cineworld)
The Back-Up Plan (Cineworld)
Street Dance 3D (Cineworld)
Hotel For Dogs (Cineworld)
Eyes Wide Open (Lighthouse)
Sex and the City 2 (Cineworld)
Cop Out (Cineworld)
Kites (Cineworld)
Prince of Persia: The Sands of Time (Cineworld)
[.REC] 2 (Cineworld)
Space Chimps 2: Zartog Stri (Cineworld)
Tooth Fairy (Cineworld)
Re-issues and Festivals:
Bananas (IFI) *
Everything You Always Wanted To Know About Sex* But Were Afraid To Ask (IFI) *
Sleeper (IFI) *
Love and Death (IFI) *
Annie Hall (IFI) *
Interiors (IFI) *
Manhattan (IFI) *
Stardust Memories (IFI) *
Zelig (IFI) *
The Purple Rose of Cairo (IFI) *
Broadway Danny Rose (IFI) *
Hannah and Her Sisters (IFI) *
The Moon and Sixpence (IFI) *
The Picture of Dorian Gray (IFI) *
The Private Affairs of Bel Ami (IFI) *
Pandora and the Flying Dutchman (IFI) *
The Living Idol (IFI) *
Peacefire (IFI) *
Blue means watched
Green means hoping to watch
Red means will not watch
Black means I'm on the fence
May 2010:
Regular Programming:
The Milk of Sorrow (IFI)
A Room and a Half (IFI, Lighthouse)
Four Lions (IFI, Cineworld, Lighthouse)
American: The Bill Hicks Story (IFI, Screen)
No Greater Love (Lighthouse)
Trafficked (Cineworld)
The Losers (Cineworld)
Lebanon (IFI, Screen)
Vincere (IFI, Lighthouse)
Bad Lieutenant: Port of Call New Orleans (IFI, Cineworld, Lighthouse, Screen)
The Happiest Girl In The World (IFI)
The Time That Remains (IFI)
Robin Hood (Cineworld)
Nightmare on Elm Street (Cineworld)
Hot Tub Machine (Cineworld)
The Back-Up Plan (Cineworld)
Street Dance 3D (Cineworld)
Hotel For Dogs (Cineworld)
Eyes Wide Open (Lighthouse)
Sex and the City 2 (Cineworld)
Cop Out (Cineworld)
Kites (Cineworld)
Prince of Persia: The Sands of Time (Cineworld)
[.REC] 2 (Cineworld)
Space Chimps 2: Zartog Stri (Cineworld)
Tooth Fairy (Cineworld)
Re-issues and Festivals:
Bananas (IFI) *
Everything You Always Wanted To Know About Sex* But Were Afraid To Ask (IFI) *
Sleeper (IFI) *
Love and Death (IFI) *
Annie Hall (IFI) *
Interiors (IFI) *
Manhattan (IFI) *
Stardust Memories (IFI) *
Zelig (IFI) *
The Purple Rose of Cairo (IFI) *
Broadway Danny Rose (IFI) *
Hannah and Her Sisters (IFI) *
The Moon and Sixpence (IFI) *
The Picture of Dorian Gray (IFI) *
The Private Affairs of Bel Ami (IFI) *
Pandora and the Flying Dutchman (IFI) *
The Living Idol (IFI) *
Peacefire (IFI) *
Twitter "Reviews" for the week ended 25th April 2010
Apocalypse Now (79, Coppola) 73 Think it was a mistake to watch Redux over original. Uses v/o as crutch, poorly paced. Has quality though.
Les enfants du paradis (45, Carné) 71 Baptiste is a truly wonderful character but the rest of the film has flaws with pacing and tangents.
Man Push Cart (05, Bahrani) 78 Strong use of metaphor, The shots of him dragging the cart were super, reliance on flashback detracts.
The Boss of it All (06, von Trier) 41 Decent concept, terrible execution, gimmicks galore, bored me to tears. All the world ain't a stage.
Telstar (08, Moran) 26 Fascinating man but this film is ropey from start to finish. The handling of turning down The Beatles is terrible.
Sound of the Mountain (54, Naruse) 74 Familiar Japanese family dynamic with more adult and earthy concerns. Not as subtle as it should be.
La strada (54, Fellini) 66 Great for spotting Fellini tropes, naif too naive, strong man too barbaric, Fool is only character of interest.
Distant (02, Ceylan) 92 Lethargy, regret, no carpe diem here. Achingly beautiful landscapes with silence and glances saying more than words.
Koza (s) (95, Ceylan) 62 Wordless, beautiful photography with expressive faces concentrating on the cycle of life and occasional cruelty.
M (31, Lang) 97 Dinner plate, balloon in wires, gut-wrenching.Horrifying, daring, criticism of society, warts and all.Such a range of faces!
Mountain Patrol (04, Chuan Lu) 64 Can see why Nat Geo got involved. The story felt constrained, as if all the analysis was not on the screen
The Man Who Shot Liberty Valance (62, Ford) 86 Liked the highlighting of how the US loves and cherishes their republic creation narratives
City of Life and Death (09,Chuan Lu) 30 Harrowing but personalisation of both sides did not work.Grave concerns over motive also.Docu better
Ordet (55, Dreyer) 100 Mikkel was my viewpoint and the ending is what it would take for me to have faith.Awesome exploration of human beings
Private Property (06,Lafosse) 79 Tightly scripted drama that winds itself to an almost inevitable conclusion.Very good character development
Andrey Rublyov (66, Tarkovsky) 84 The flashes of artistic inspiration are as good as anything else ever filmed. Need to watch again.
Born and Bred (06, Trapero) 55 The opening is too obvious and none of the scenes felt authentic. Have to admire the supporting cast though.
Les enfants du paradis (45, Carné) 71 Baptiste is a truly wonderful character but the rest of the film has flaws with pacing and tangents.
Man Push Cart (05, Bahrani) 78 Strong use of metaphor, The shots of him dragging the cart were super, reliance on flashback detracts.
The Boss of it All (06, von Trier) 41 Decent concept, terrible execution, gimmicks galore, bored me to tears. All the world ain't a stage.
Telstar (08, Moran) 26 Fascinating man but this film is ropey from start to finish. The handling of turning down The Beatles is terrible.
Sound of the Mountain (54, Naruse) 74 Familiar Japanese family dynamic with more adult and earthy concerns. Not as subtle as it should be.
La strada (54, Fellini) 66 Great for spotting Fellini tropes, naif too naive, strong man too barbaric, Fool is only character of interest.
Distant (02, Ceylan) 92 Lethargy, regret, no carpe diem here. Achingly beautiful landscapes with silence and glances saying more than words.
Koza (s) (95, Ceylan) 62 Wordless, beautiful photography with expressive faces concentrating on the cycle of life and occasional cruelty.
M (31, Lang) 97 Dinner plate, balloon in wires, gut-wrenching.Horrifying, daring, criticism of society, warts and all.Such a range of faces!
Mountain Patrol (04, Chuan Lu) 64 Can see why Nat Geo got involved. The story felt constrained, as if all the analysis was not on the screen
The Man Who Shot Liberty Valance (62, Ford) 86 Liked the highlighting of how the US loves and cherishes their republic creation narratives
City of Life and Death (09,Chuan Lu) 30 Harrowing but personalisation of both sides did not work.Grave concerns over motive also.Docu better
Ordet (55, Dreyer) 100 Mikkel was my viewpoint and the ending is what it would take for me to have faith.Awesome exploration of human beings
Private Property (06,Lafosse) 79 Tightly scripted drama that winds itself to an almost inevitable conclusion.Very good character development
Andrey Rublyov (66, Tarkovsky) 84 The flashes of artistic inspiration are as good as anything else ever filmed. Need to watch again.
Born and Bred (06, Trapero) 55 The opening is too obvious and none of the scenes felt authentic. Have to admire the supporting cast though.
Tuesday, April 20, 2010
Twitter "Reviews" for the week ended 18th April 2010
24 City (08, Zhang Ke Jia) 82 Acerbic observation of China's ruthless transformation. Unsure regarding mix of interviewees and actors though
Ugetsu monogatari (53,Mizoguchi) 92 Superb ending,a call to (dis)arms for the Japanese people after the delusions of WWII.Qs Status&Artistry
The Assassination of Jesse James by the Coward Robert Ford (07, Dominik) 90 Cinematography immense,the measured storytelling a joy to behold
Wild Strawberries (57, Bergman) 93 Doesn't have any answers but encaspulates the questions of mortality and existence.Well integrated dreams
Revanche (08, Spielmann) 87 Tightly wound, full of foreboding, majestic change of location.Analysis of guilt and desire forgives contrivance
Modern Times (36, Chaplin) 52 Some wonderful ideas and set-pieces but Chaplin the actor leaves me cold. Only the boat sequence got a guffaw.
Flags of Our Fathers (06, Eastwood) 73 Manages to de-mystify and glorify heroism simultaneously. Critique of veteran care. A plodding plot.
Still Life (06, Zhang Ke Jia) 86 Superb use of location and time. Corruption, safety, the effect of large migration and ruthlessness. Brave.
Chinatown (74, Polanski) 95 Great cast, thoroughly engrossing, superb ending. Looks absolutey gorgeous, John Huston convincingly evil.
Ugetsu monogatari (53,Mizoguchi) 92 Superb ending,a call to (dis)arms for the Japanese people after the delusions of WWII.Qs Status&Artistry
The Assassination of Jesse James by the Coward Robert Ford (07, Dominik) 90 Cinematography immense,the measured storytelling a joy to behold
Wild Strawberries (57, Bergman) 93 Doesn't have any answers but encaspulates the questions of mortality and existence.Well integrated dreams
Revanche (08, Spielmann) 87 Tightly wound, full of foreboding, majestic change of location.Analysis of guilt and desire forgives contrivance
Modern Times (36, Chaplin) 52 Some wonderful ideas and set-pieces but Chaplin the actor leaves me cold. Only the boat sequence got a guffaw.
Flags of Our Fathers (06, Eastwood) 73 Manages to de-mystify and glorify heroism simultaneously. Critique of veteran care. A plodding plot.
Still Life (06, Zhang Ke Jia) 86 Superb use of location and time. Corruption, safety, the effect of large migration and ruthlessness. Brave.
Chinatown (74, Polanski) 95 Great cast, thoroughly engrossing, superb ending. Looks absolutey gorgeous, John Huston convincingly evil.
Wednesday, April 14, 2010
Twitter "Reviews" for week ending 11th April 2010
The General (26, Bruckman/Keaton) 96 Incredibly fresh, superb set-pieces and fantastic ambition. Funny as fuck too.Keaton amazingly physical
The Family Friend (06, Sorrentino) 76 Bemusing, visually and aurally arresting.Storyline is ambitious but too elliptical hence distant to me
La passion de Jeanne d'Arc (28, Dreyer) 94 Exhilirating quick cuts, close-ups and images of death are as expressive as can be. Faces faces.
The Notorious Bettie Page (05,Harron) 48 Transition between archive & present day didnt mesh,one-paced,left with what was the point? feeling
Double Take (09, Grimonprez) 47 Singular but ultimately all 4 strands become conventional. May just be me misunderstanding the link though.
La grande illusion (37,Renoir) 99 Radical treatise on class due to lack of stridency,mines deep emotions without sentimentality.Marseillaise
Partie de campagne (36, Renoir) 93 How to be a playa in 1860 followed by most touching scene of longing and regret I've seen. Renoir rules.
Repast (Meshi) (51, Naruse) 81 Loachian chronicle of post-war Osaka and Tokyo focusing on gender relationship.Setsuko Hara impressive again
The Night of the Hunter (55,Laughton) 89 Manifestation of evil speaks in religious tongues.Animals juxtaposition unnerving.Superb atmosphere
City of Men(07,Morelli)43 Glorified favella porn mixed in with sentimental movie of the week stuff.The father's activities struck false note
City Lights (31,Chaplin) 51 The scenes with the flower girl are adorable but I just can't warm to any of the farce, slapstick or physicality
Whip It (09, Barrymore) 60 Ellen Page is the girl I wish I met 10 years ago. Film is warm-hearted run-of-the-mill adolescent rebellion.
The Family Friend (06, Sorrentino) 76 Bemusing, visually and aurally arresting.Storyline is ambitious but too elliptical hence distant to me
La passion de Jeanne d'Arc (28, Dreyer) 94 Exhilirating quick cuts, close-ups and images of death are as expressive as can be. Faces faces.
The Notorious Bettie Page (05,Harron) 48 Transition between archive & present day didnt mesh,one-paced,left with what was the point? feeling
Double Take (09, Grimonprez) 47 Singular but ultimately all 4 strands become conventional. May just be me misunderstanding the link though.
La grande illusion (37,Renoir) 99 Radical treatise on class due to lack of stridency,mines deep emotions without sentimentality.Marseillaise
Partie de campagne (36, Renoir) 93 How to be a playa in 1860 followed by most touching scene of longing and regret I've seen. Renoir rules.
Repast (Meshi) (51, Naruse) 81 Loachian chronicle of post-war Osaka and Tokyo focusing on gender relationship.Setsuko Hara impressive again
The Night of the Hunter (55,Laughton) 89 Manifestation of evil speaks in religious tongues.Animals juxtaposition unnerving.Superb atmosphere
City of Men(07,Morelli)43 Glorified favella porn mixed in with sentimental movie of the week stuff.The father's activities struck false note
City Lights (31,Chaplin) 51 The scenes with the flower girl are adorable but I just can't warm to any of the farce, slapstick or physicality
Whip It (09, Barrymore) 60 Ellen Page is the girl I wish I met 10 years ago. Film is warm-hearted run-of-the-mill adolescent rebellion.
Twitter "Reviews" for week ending 4th April 2010
The Princess and The Frog (09, Clements/Musker) 63 Beautifully animated, arresting main character but fakks apart after the transformation
The Blind Side (09, Hancock) 36 Rich smart whitey saves poor black kid. Kid goes from never playing sport to superstar. It's no Rudy.
Aleksandra (07, Sokurov) 76 Most reviews focus on the effects of war but I thought maturity of age was the defining theme.Wish I ustood more
Do The Right Thing (89, Lee) 95 foreshadowing, reverential, radical, capturing of an era, this is a explosive powerful manifesto. Love Hate.
Trucker (08, Mottern) 51 Irritating Boy Syndrome, misery caked on unremittingly but love conquers all. An attack on feminism for me.
Seven Samurai (Shichinin no samurai) (54, Kurosawa) 99 What a brilliant film. Just fucking awesome. It has everything w/out an empty moment.
Spellbound (45, Hitchcock) 75 Too overwrought and melodramatic to be considered great. Dream sequence and big hand/gun memorable though.
Bigger Than Life (56, Ray) 85 Excellent depiction of spiral into manic depression. James Mason impressive and mature treatment of psychosis.
Couscous (La graine et le mulet) (07, Kechiche) 90 Immigrant experience, institutional racism present but scenes around table extraordinary.
L'atalante (34, Vigo) 81 The underwater motif,the quick cuts between the separated lovers, the Venezualan mannequin all fit the beauty of it
Half Moon (06, Ghobadi) 49 Stunning scenery,travails of Kurds dealt with in nice oblique fashion but stultifying spiritualism sucks life out
Lawrence of Arabia (62, Lean) 87 Cinematography and soundtrack are extraordinary. Uneasy about cheerleading of British empire that surrounds
Elite Squad (07, Padilha) 33 Departmental and societal woes well handled,macho and favella fetishisation hateful.Possibly v.good if intended
The Blind Side (09, Hancock) 36 Rich smart whitey saves poor black kid. Kid goes from never playing sport to superstar. It's no Rudy.
Aleksandra (07, Sokurov) 76 Most reviews focus on the effects of war but I thought maturity of age was the defining theme.Wish I ustood more
Do The Right Thing (89, Lee) 95 foreshadowing, reverential, radical, capturing of an era, this is a explosive powerful manifesto. Love Hate.
Trucker (08, Mottern) 51 Irritating Boy Syndrome, misery caked on unremittingly but love conquers all. An attack on feminism for me.
Seven Samurai (Shichinin no samurai) (54, Kurosawa) 99 What a brilliant film. Just fucking awesome. It has everything w/out an empty moment.
Spellbound (45, Hitchcock) 75 Too overwrought and melodramatic to be considered great. Dream sequence and big hand/gun memorable though.
Bigger Than Life (56, Ray) 85 Excellent depiction of spiral into manic depression. James Mason impressive and mature treatment of psychosis.
Couscous (La graine et le mulet) (07, Kechiche) 90 Immigrant experience, institutional racism present but scenes around table extraordinary.
L'atalante (34, Vigo) 81 The underwater motif,the quick cuts between the separated lovers, the Venezualan mannequin all fit the beauty of it
Half Moon (06, Ghobadi) 49 Stunning scenery,travails of Kurds dealt with in nice oblique fashion but stultifying spiritualism sucks life out
Lawrence of Arabia (62, Lean) 87 Cinematography and soundtrack are extraordinary. Uneasy about cheerleading of British empire that surrounds
Elite Squad (07, Padilha) 33 Departmental and societal woes well handled,macho and favella fetishisation hateful.Possibly v.good if intended
Monday, April 12, 2010
May 2010 UK & Ireland Releases
The following release information is from Sight and Sound.
Watched:
24 City (Er shi si cheng ji) (Zhang Ke Jia) 82/100
Alice in Wonderland (Tim Burton) 31/100
Cemetery Junction (Ricky Gervais, Stephen Merchant) 30/100
City of Life and Death (Nanjing! Nanjing!) (Chuan Lu) 30/100
La danse - Le ballet de l'Opéra de Paris (Frederick Wiseman) 96/100
Cherrybomb (Lisa Barros D'Sa, Glenn Leyburn) 50/100
Dogtooth (Kynodontas) (Giorgos Lanthimos) 59/100
Exit Through The Gift Shop (Banksy) 83/100
How to Train Your Dragon (Dean DeBlois, Chris Sanders) 47/100
I am Love (Io sono l'amore) (Luca Guadagnino) 92/100
I Know You Know (Justin Kerrigan) 40/100
Kick-Ass (Matthew Vaughn) 58/100
Life During Wartime (Todd Solondz) 83/100
Revanche (Götz Spielmann) 87/100
The Ghost (Roman Polanski) 70/100
The Milk of Sorrow (La teta asustada) (Claudia Llosa) 63/100
Whip It (Drew Barrymore) 60/100
Eager to Watch:
Will Watch:
Might Possibly Watch:
Centurion (Neil Marshall)
Date Night (Shawn Levy)
Hachi A Dog’s Tale (Lasse Hallström)
My Name Is Khan (Karan Johar)
The Sky Crawlers (Sukai kurora) (Mamoru Oshii)
Sons of Cuba (Andrew Lang)
The White Stripes Under Great White Northern Lights (Emmett Malloy)
Have No Interest In Whatsoever:
The Ape (Apan) (Jesper Ganslandt)
Bananas! (Fredrik Gertten)
Boogie Woogie (Duncan Ward)
The Bounty Hunter (Andy Tennant)
A Boy Called Dad (Brian Percival)
Crying with Laughter (Justin Molotnikov)
Dance with Me (Sasha C. Damjanovski)
Dear John (Lasse Hallström)
The Disappearance of Alice Creed (J Blakeson)
Freestyle (Kolton Lee)
Happy Ever Afters (Stephen Burke)
The Infidel (Josh Appignanesi)
Kicks (Lindy Heymann)
The Market A Tale of Trade (Pazar - Bir ticaret masali) (Ben Hopkins)
No Greater Love (Brad J. Silverman)
Old Dogs (Walt Becker)
Remember Me (Allen Coulter)
The House of the Devil (Ti West)
Edits:
Moved 24 City from Eager to Watch to Watched 12/4/10
Moved Revanche from Eager to Watch to Watched 17/4/10
Moved City of Life and Death from Eager to Watch to Watched 24/4/10
Watched:
24 City (Er shi si cheng ji) (Zhang Ke Jia) 82/100
Alice in Wonderland (Tim Burton) 31/100
Cemetery Junction (Ricky Gervais, Stephen Merchant) 30/100
City of Life and Death (Nanjing! Nanjing!) (Chuan Lu) 30/100
La danse - Le ballet de l'Opéra de Paris (Frederick Wiseman) 96/100
Cherrybomb (Lisa Barros D'Sa, Glenn Leyburn) 50/100
Dogtooth (Kynodontas) (Giorgos Lanthimos) 59/100
Exit Through The Gift Shop (Banksy) 83/100
How to Train Your Dragon (Dean DeBlois, Chris Sanders) 47/100
I am Love (Io sono l'amore) (Luca Guadagnino) 92/100
I Know You Know (Justin Kerrigan) 40/100
Kick-Ass (Matthew Vaughn) 58/100
Life During Wartime (Todd Solondz) 83/100
Revanche (Götz Spielmann) 87/100
The Ghost (Roman Polanski) 70/100
The Milk of Sorrow (La teta asustada) (Claudia Llosa) 63/100
Whip It (Drew Barrymore) 60/100
Eager to Watch:
Will Watch:
Might Possibly Watch:
Centurion (Neil Marshall)
Date Night (Shawn Levy)
Hachi A Dog’s Tale (Lasse Hallström)
My Name Is Khan (Karan Johar)
The Sky Crawlers (Sukai kurora) (Mamoru Oshii)
Sons of Cuba (Andrew Lang)
The White Stripes Under Great White Northern Lights (Emmett Malloy)
Have No Interest In Whatsoever:
The Ape (Apan) (Jesper Ganslandt)
Bananas! (Fredrik Gertten)
Boogie Woogie (Duncan Ward)
The Bounty Hunter (Andy Tennant)
A Boy Called Dad (Brian Percival)
Crying with Laughter (Justin Molotnikov)
Dance with Me (Sasha C. Damjanovski)
Dear John (Lasse Hallström)
The Disappearance of Alice Creed (J Blakeson)
Freestyle (Kolton Lee)
Happy Ever Afters (Stephen Burke)
The Infidel (Josh Appignanesi)
Kicks (Lindy Heymann)
The Market A Tale of Trade (Pazar - Bir ticaret masali) (Ben Hopkins)
No Greater Love (Brad J. Silverman)
Old Dogs (Walt Becker)
Remember Me (Allen Coulter)
The House of the Devil (Ti West)
Edits:
Moved 24 City from Eager to Watch to Watched 12/4/10
Moved Revanche from Eager to Watch to Watched 17/4/10
Moved City of Life and Death from Eager to Watch to Watched 24/4/10
Moved Dogtooth from Eager to Watch to Watched 1/5/10
Moved The Milk of Sorrow from Eager to Watch to Watched 2/5/10
Moved The Ghost from Eager to Watch to Watched 3/5/10
Moved Kick-Ass from Eager to Watch to Watched 16/5/10
Moved Alice in Wonderland from Will Watch to Watched 28/6/10
Moved I Know You Know from Will Watch to Watched 4/7/10
Moved Cherrybomb from Eager to Watch to Watched 7/9/10
Moved How to Train Your Dragon from Have No Interest In Whatsoever to Watched 8/10/10
Moved Cemetery Junction from Will Watch to Watched 12/12/10
Moved The Milk of Sorrow from Eager to Watch to Watched 2/5/10
Moved The Ghost from Eager to Watch to Watched 3/5/10
Moved Kick-Ass from Eager to Watch to Watched 16/5/10
Moved Alice in Wonderland from Will Watch to Watched 28/6/10
Moved I Know You Know from Will Watch to Watched 4/7/10
Moved Cherrybomb from Eager to Watch to Watched 7/9/10
Moved How to Train Your Dragon from Have No Interest In Whatsoever to Watched 8/10/10
Moved Cemetery Junction from Will Watch to Watched 12/12/10
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